For centuries, Navajo/Diné weavers have created intricate, geometrically patterned blankets and rugs on upright looms, powered only by the artisans’ bodies. More than a millennia ago in Mesoamerica, which encompassed much of what today is Mexico’s Yucatán Peninsula and parts of Central America, the Mayans produced ornate ceramics decorated with natural motifs like birds.

Melissa Cody (Navajo/Diné), “Sunrise Rainbows” (2025), Jacquard weaving with aniline dyed wool fringe, 70 x 40 inches. Courtesy of the artist and Garth Greenan Gallery, New
Natalia Montoya Lecaros (Aymara), ‘Tótems de emergencia’ (2021), installation view, series of modular MDFsculptures with tempera paint, acrylic yarn, beads, lined cardboard
Eamon Ore-Giron. “Talking Shit with Object 17 (Pre-Columbian ceramic plate with avian designs, 300-900 CE)” (2026), mineral paint and Flashe on linen, 30 x 30 inches. Courte
Eamon Ore-Giron. “Talking Shit with Object 17 (Pre-Columbian ceramic plate with avian designs, 300-900 CE),” installation view
Nanibah Chacon (Diné/Navajo and Chicana), “Where Two Rivers Meet” (2026), mixed media, sound installation, dimensions variable. Courtesy of the artist and Timothy Hawkinson
Installation view of ‘Radiant Geometries’ featuring (front to back): Natalia Montoya Lecaros (Aymara), ‘Tótems de emergencia’ (2021) and Eamon Ore-Giron, “Black Medal
Eamon Ore-Giron. "Black Medallion XIV (Inti)" (2022), mineral paint and Flashe on linen, 198 x 258 inches. Courtesy of the artist and NORR COHAN, New York. All images courtesy o
Caroline Monnet (Anishinaabe/French), “A Quiet Place” (2021), print on Enermax, 46 x 46 inches. Courtesy of the artist, the Gochman Family Collection, and Blouin Division, M
Nanibah Chacon (Diné/Navajo and Chicana), “Where Two Rivers Meet,” detail