From materials we normally discard like padded packaging or the mesh sleeves that protect fruit from bruising, Suzanne Jongmans summons elegant and dreamlike Renaissance portraits. The artist drapes models in lush velvet fabrics and typically positions them against deep backgrounds in the vein of Leonardo da Vinci’s “Lady with an Ermine” (1489-91) or Antonello da Messina’s “Portrait of a Young Man” (c.
