From the stillness of a lily-specked pond to a nostalgic carousel perched on top of a spindly stand, Hans Op de Beeck’s latest works delve further into a realm of meditation and solitude. His forthcoming solo exhibition, Vanishing Point at Almine Rech, highlights his characteristically monochromatic sculptures, which he often coats in matte gray.

“Cécile” (2026), mixed-media, life-size sculpture and “Seascape” (2022), polyester, metal, and coating
“Orrery (Loss)” (2025), mixed media, 91 1/2 x 51 x 51 inches
Photography by Hugard & Vanoverschelde.
“Small Blue Still Life (1)” (2026), mixed media, 16 x 20 1/2 x 8 1/2 inches
Photography by Hugard & Vanoverschelde.
“Autumn Pond” (2025), mixed media, 45 1/2 x 45 1/2 x 5 1/2 inches. Edition 2 of 3, plus 2 APs
Photography by Hugard & Vanoverschelde.
“Tangerines” (2026), polyester, wood, and coating, 11 x 14 x 2 inches
Photography by Hugard & Vanoverschelde.
a sculpture of a small table covered in cloth with a simple vase and flower arrangement, entirely rendered in white
a sculpture of a carousel on a tall stand, rendered entirely in gray
Studio view
Studio view